"As long as I can remember I wanted to make a record with my dad,” Billy Strings says. The dream to make a proper studio album is finally realized. Me and Dad, out November 18, is a collection of 14 classics that Billy and his dad, Terry Barber, know like the back of their hands. It's the music that made Billy the musician and human he is today. The album represents a lifelong goal finally achieved and a way for the Grammy-winning musician to honor the man who taught him how to play guitar.

The Grammy Award-winning, multi-platinum selling trio Nickel Creek Chris Thile (mandolin/vocals), Sara Watkins (fiddle/vocals), and Sean Watkins (guitar/vocals) officially reunites for the first time since its 2007 self-described "indefinite hiatus" with the album A Dotted Line, followed by a tour of the US in support of the Eric Valentine-produced album, which includes the 2014 Telluride Bluegrass and Newport Folk Festivals.

Carter Girl, set for release April 8, is the first album of new recordings this decade from Americana legend Carlene Carter. Produced by Don Was, Carter Girl is, in a very literal way, Carlene's personal homage to the Carter Family legacy that both underpins so much of America's music and is part of her own DNA.

Dismiss labels. Forget trying to fit into a scene. Be true and play your songs. That encompasses the prevailing spirit of LET IT GO, the fifth album from the Grammy-nominated bluegrass expansionists the Infamous Stringdusters. The new effort finds the band on firm footing, at ease with an evolving sound that defies categorization. It's acoustic music, sure, but not the kind you'll hear from any other band. Roots can be traced but boundaries don't exist.

The follow-up to Long Gone Daddy features two tracks that feature the influential punk rock band, The Melvins - the title track and Hank Sr. cover, "Ramblin' Man" and Merle Haggard's "Okie From Muskogee." The 2014 album features additional classic covers including ZZ Top's "Fearless Boogie," Johnny Paycheck's "I'm The Only Hell My Mama Ever Raised" and Peter La Farge's "Marijuana Blues." Two previously unreleased tracks include the original version of "On My Own" and "Runnin' & Gunnin'."

The new album, Bad Self Portraits, is a microcosm of Lake Street Dive's evolution of the band from a weird alt-country jazz group to a pop-soul juggernaut, that includes 60s influences like Brill Building girl groups, British Invasion rock, horn-driven Stax R&B, Motown soul and even The Band-like gospel blues.

2014 release, a 10-song virtual "greatest hits" set of acoustic renditions of songs from across the BOH catalog, recorded at Nashville's legendary Ryman Auditorium over two magical nights in April 2013.

Discovered in 2012, Out Among The Stars is truly a lost, previously unreleased Johnny Cash album. These aren't alternate takes or different versions of songs that you've heard. These are brand new songs to the Cash canon. Completed in 2013 by Johnny's only son John Carter Cash, Out Among The Stars is a pivotal Johnny Cash album lost in time, and now ready to become a classic.

2014 release, the fourth album from one of Country's most electrifying entertainers and prolific songwriters. This release is the follow-up to his CMA and ACM Album of the Year, CHIEF, which has gone on to sell over 1.5 million records and produce two #1 singles. On THE OUTSIDERS, Jay Joyce once again joins Church for production and songwriting collaborations. Church started writing for the release in 2012 while on his Blood, Sweat & Beers Tour.

VIBRATE: THE BEST OF RUFUS WAINWRIGHT encapsulates a career in music that is like no other. From the 1998 release of his debut album to 2012's Out of the Game, Rufus Wainwright has played it his way, refusing to be categorized while establishing himself as one of contemporary music's very best songwriters, singers and performers.

2022 release, the first country music album from the award-winning duo comprised of Jamie Dailey and Darrin Vincent. Produced by Paul Worley (Lady A, The Chicks, Trace Adkins), and with songs written by and the help of Jimmy Fortune, Vince Gill, Alison Krauss, Rhonda Vincent and more, Let's Sing Some Country! Unleashes another side to the award-winning duo that fans don't often hear.

Arthur Beatrice founding members Orlando Leopard (vocals/instruments) and Elliot Barnes (drums) discovered early in their school-formed friendship, and musical partnership, that their opposing views would take them in interesting and often unpredictable directions. The pair were looking to introduce a new dynamic to their songwriting when they met and enlisted Ella Girardot (vocals/keys), after hearing her perform UK group All Saints' 'Pure Shores' in the school talent contest. Brother Hamish Barnes (vocals/bass/guitar) joined a little later, quickly providing another point of creative tension when he began contributing songs that soon became as vital as anything before. Ella refers to these lyrics as being 'Ambiguous...', and they may seem as such, especially when paired with seemingly unrelated titles. Each song name is in fact intended to encourage the listener to reconsider the words on realization that the title words are always absent. '...It's meant to be a 'rupture' of sorts - that thing that makes you realize that something isn't quite right, and you have to look at the whole song again to work out why it has its name.

2014 release, the seventh album from the Country superstar. RISER is a Country project grounded in lyrical substance with a new sonic power that spotlights Bentley's distinctive gravelly voice, one of the most original and recognizable in the genre. To assemble the album, Bentley enlisted producer Ross Copperman and executive producer Arturo Buenahora, Jr.. Together, the trio mixed the immediacy of old-school live recording techniques with the experimental nature of new technologies. Buenahora matched Bentley with the right co-writers and songs. The result is RISER: an album with a heightened depth, an increased vulnerability and a greater sense of purpose in every word.

Country music's 'Gentle Giant' re-teams with award-winning producer Garth Fundis for Reflections, the follow up to 2012's well-received comeback album And So It Goes. Don Williams, a Country Music Hall of Fame member, dominated for decades as a country hit maker and was dubbed 'the Gentle Giant' because of his unique blend of commanding presence and that laid-back, easy style cutting across national and genre boundaries. Those personal and musical qualities that stood out strongly across the 1970s, '80s and '90s, came full circle both in 2012, as Williams delivered the masterful And So It Goes, and today, as he readies the release of Reflections.

The first release of original material in seven years for the New York singer-songwriter was produced by Gerry Leonard.

Lions, the new album from William Fitzsimmons was produced by Chris Walla - guitarist for Death Cab For Cutie and previous production credits include Tegan and Sara and The Postal Service. Born to two blind parents, Fitzsimmons grew up in a home where music was integral to communication. With a Master's degree in counseling, he worked as a mental health therapist and recorded songs during graduate school. Fitzsimmons' music has been licensed to ABC, NBC, MTV and he has been featured with NPR, Rolling Stone, Uncut, Paste, Q Magazine and Wall Street Journal.

At the heart of Jamestown Revival is a friendship that spans over a decade. Jonathan Clay and Zach Chance grew up together in the small Texas town of Magnolia. From a young age, they shared a love for music as well as the outdoors. About an hour north of Magnolia TX, there was some old family land with a dilapidated ranch house where they spent the better part of their adolescence.

The ancient and the modern converge to create the timeless in Side By Side, the new Rebel recording from vocal titan Ralph Stanley and his gifted son and musical heir apparent, Ralph Stanley II.

After the success of her critically-acclaimed 2021 release Daddy’ s Country Gold, Melissa Carper, dubbed “HillBillie Holiday” by friend and collaborator Chris Scruggs, was eager to get back in the studio. With co-producers Andrija Tokic (St. Paul & The Broken Bones, Hurray For The Riff Raff) and Dennis Crouch (The Time Jumpers) behind the boards again at Tokic’s analog paradise The Bomb Shelter in Nashville, Carper assembled that same crew of magical music makers - plus a few more - to embark on her newest effort, Ramblin’ Soul, set for release November 18th via Thirty Tigers.

Carper’s deep, old-timey music roots were firmly planted as a child, playing upright bass and singing in her family’s traveling country band in rural Nebraska. Her love of country classics was cultivated as she laid beneath the console listening to her parents’ record collection. Hank Williams, Patsy Cline, Loretta Lynn, Ray Charles, Elvis Presley, and more became the soundtrack of her youth. When Carper’s father gifted her a collection of Jimmie Rodgers’ recordings, she began to find her voice and calling as a songwriter.

Carper attended the University of Nebraska-Lincoln on a music scholarship, and spent much of her time in the music library, instinctively drawn to the great jazz classics and jazz vocalists such as Billie Holiday, Ella Fitzgerald, Frank Sinatra, and Nat King Cole. She also discovered Lead Belly, uncovering a deep well within when singing his songs. Carper stands firmly on the shoulders of American ramblers, crooners, and songsters - the building blocks of her musical foundation. In 2020, grappling with the loss of regular gigs, Carper and Patek moved to a friend’s farm near Austin, working in exchange for housing, organic vegetables, and fresh, country air. The simpler life afforded Carper the space and rejuvenation needed to channel her muse, and begin writing for her next album.

“I had a handful of songs about rambling around and living a free life that I wanted to weave through the album,” Carper recalls. “I wrote the title track driving back home to Texas, and it felt like the seeds of the next album were planted. I also knew I wanted Ramblin’ Soul to have a different feel than Daddy’s Country Gold, with more upbeat and diverse styles and grooves.” Ramblin’ Soul features a co-write with life long ramblin’ buddy and bandmate Gina Gallina, a song penned by friend and frequent collaborator Brennen Leigh; a reimagined classic from folk pioneer Odetta; and ten Carper originals. The album ventures into blues, early rock and roll, and old school soul, along with Carper’s signature styles of country, western swing, and jazz. Carper’s lifelong, steadfast listening has come to fruition in the songs on Ramblin’ Soul. Her childhood love of the family record collection planted the seeds of what is her own bountiful orchard today.

Capitol Records Nashville presents multiplatinum hitmaker Jon Pardi's fourth studio album, Mr. Saturday Night. The 14-tracks include the singles, "Last Lonely Night," and "Fill `Er Up." Jon says about the album, "A lot of time was spent living with the songs on this record. There is more life experience on Mr. Saturday Night than any album I've released before." It was produced by Jon with Bart Butler and Ryan Gore, the same team behind his award-winning 2019 album, Heartache Medication.

Not Just A Girl (The Highlights) features 18 tracks, spanning Shania Twain's illustrious career. Achieving five GRAMMY Awards and three RIAA diamond-certified albums, she has sold over 100 million albums and is one of the best-selling artists of all time. This collection serves as the soundtrack to her 'Not Just A Girl' documentary which includes Shania's biggest hits and fan favorites, "You're Still the One," "That Don't Impress Me Much," "Man! I Feel Like a Woman!" and more, plus one new song.