Dance & Electronic

With the hypnotic and bright Grammy-nominated track "Levels," Swedish EDM DJ/producer Tim Bergling aka Avicii unleashed a global dance hit the size of "Beachball," "Blue Monday," "Starships," and maybe even "The Hokey Pokey." If the masses leave the dancefloor, "Levels" brings them back with sunshine and light, but Avicii's debut album True was a sharp left turn, kicking off with the acoustic guitar strum of "Wake Me Up," a pleasant, well-written heritage pop track where "I Need a Dollar" vocalist Aloe Blacc gets thrown in a synthetic Mumford & Sons surrounding for something that was very non-"Levels." The rest of the album was equally and shockingly rustic and organic, but here, on this full-album remix of True, "Wake Me Up" is given a "Levels"-styled, synthetic kick and returns to the category of prime-time dancefloor stuff, while "Hey Brother" with vocalist Dan Tyminski trades its bluegrass for dubstep and the bass drops ensue. The original album's "Heart Upon My Sleeve" isn't remixed, although everything else is here and pumped up splendidly, so consider this a worthy alternative to True made for dancing or, seeing as how many Avicii regulars were thrown by the original's acoustic atmosphere, consider this a fan-pleasing release that plays to the producer's strengths.

The desire for change stirs from the inside. We either listen to it-or not. Aluna chose to listen. After widespread critical acclaim as one-half of multi-platinum duo AlunaGeorge, the singer, songwriter, and producer established an unpredictable and undeniable signature sound on her 2020 solo debut, Renaissance.

Recess was conceived and recorded in Los Angeles, Seattle, Seoul, London, Stockholm, San Francisco & Brooklyn with guests like Ragga Twins, Chance The Rapper, Diplo, Passion Pit vocalist Michael Angelakos, OWSLA stars Kill The Noise, Alvin Risk & up-comers Milo & Otis to name just a handful. The record sees Skrillex delivering on his promise as a fully-fledged musician, taking the listener by the wrist for a celestial reconciliation with innocence, escape, passion, and love while pulling from every imaginable influence within and outside of electronic music.

Seventh studio album from one of the most influential and respected names on the electronic/dance music scene. First record to be completely devoted to their Bossa Nova roots and feature all female vocals.

Recoiled is a rambunctious alchemy, of magical Coil sensibilities and hi-tech home circa '90s mixing technique, all fused in the cave-like early studios of Danny Hyde/Peter Christopherson. These were the unrestrained pre-big studio mix downs of four songs which long time Coil admirer/collaborator Trent Reznor requested Coil to remix.

This is the Australian pop icon's first studio album since 2010's Aphrodite,/i>, and her first since signing to Roc Nation Management. Kiss Me Once, a return to the dance floor after 2012's orchestral compilation The Abbey Road Sessions, was executive produced by Kylie and Sia, who co-wrote the title track. Kylie also teams up with Pharrell Williams, who wrote and produced "I Was Gonna Cancel," Ariel Rechtshaid (HAIM), MNEK (Bastille), and Greg Kurstin (P!nk).

Soundtrack to debut feature film by French director Yann Gonazlez, brother to M83's Anthony Gonzalez. Features vocals by M83 collaborator Morgan Kibby and Norwegian singer Susanne Sundfør (who contributed vocals to the "Oblivion" soundtrack). Previous collaborator Joe Trapanese returned to assist with orchestral arrangements. Mellow and romantic, this soundtrack pays tribute to French soundtracks from the 70's and is much more intimate than Hurry Up, We're Dreaming.

BRONSON, the brand new group by ODESZA and Golden Features, unveils their debut self-titled album on Foreign Family Collective / Ninja Tune. BRONSON is available on clear LP, limited edition black and yellow LP, and CD. GRAMMY-nominated duo ODESZA and acclaimed Australian producer Golden Features have come together to form the powerhouse group BRONSON. The self-titled album BRONSON pushes the soundscapes of their previous projects to explore the darker edges of dance music. The LP features heavyweight collaborations from lau.ra of Ultraista, Gallant, and Totally Enormous Extinct Dinosaurs. The BRONSON album reflects on their respective needs to challenge personal struggles, both internal and external. Moreover, the trio recognized that their own battles were merely microcosms of the surrounding world. The hope was to craft a body of work that was reflective of that duality of lightness and darkness inherent to the human condition.

Ghost Beach, the New York-based duo of Josh Ocean & Eric "Doc" Mendelsohn, bring together the two worlds of electronic and live performance whose sound is self-described as "Tropical Grit Pop." On their debut full-length album Blonde, Ghost Beach once again perfects a blend of retro and futuristic soaring synth-pop, none more so evident than in the searing single "Miracle." Blonde features a mix of recorded material and a handful of tracks from the bands self-released Modern Tongues EP. All previously released songs will be remixed, re-mastered & enhanced for the forthcoming release.

The first studio album from George Alan O'Dowd in nearly two decades, This Is What I Do begins appropriately enough with "King of Everything," a surging, late-period Elton John-inspired power ballad/anthem that finds the newly refurbished (chemically and spiritually) pop icon trying to make amends with pretty much everybody. Boy George has spent the majority of his time away from the studio in the headlines, and This Is What I Do spends the majority of its just under an hour running time explaining why, apologizing, and wondering "What's the word on the street/Have I lost my crown/Or will I be king again."

This is the seventh installment of the annual release from Ultra Music. Following in the stellar tradition of the Ultra Series, this double disc package includes the biggest dance/pop hits impacting now and through 2014 from several top artists, including Kaskade, Steve Aoki, Basshunter, Hardwell, Lazy Jay, Ninetoes, Hadouken! And more.

The Glitch Mob - the Los Angeles-based trio comprising Justin Boreta, Ed Ma, and Joshua Mayer - continues their forward movement into 2014. Boreta, edIT, and Ooah came together around 2006, passing through various members until settling on this core trio of musicians. Together, they combined their different skills and aesthetics into the compellingly collage whole that has become one of the most beloved live electronic acts, and distinctive recording artists, working today.

"W" was formed out of the need to give more space and a bigger voice to the women who have inspired Populous over the past few years, the women who continue to be part of his artistic and personal life. A tribute to the feminine and its countless facets, an album of sensual, dreamy, and uninhibited electronica. A calm counter to overtly masculine musical environments and an invitation to an ever-inclusive system.

Estereomance combines elements of soul, funk, electronic, pop, and jazz to create a charming romantic indie blend to represent the melting pot they're from. The debut self-titled album is a 7-song feel-good record that mixes multicultural influences to create a tasteful mix of vintage soul with modern bedroom pop. Available June 26th, the album is about discovering self-empowerment by overcoming life's struggles. It's about finding optimism by forgetting the past and looking up for the future.

Thievery Corporation's historic concert in 2017 at The JFK Center in Washington, D.C saw their songs re-imagined with orchestral arrangements from some of today's leading young classical composers. The show is now legendary, and those fortunate to attend heard Thievery Corporation in an entirely new way. To honor this show and inspiration it provided, Hilton and Garza have created Symphonik - recorded with Prague's FILMHarmonic Orchestra; engineering and co-production by Gianmaria Conti.

In 2014, Dan Snaith aka Caribou released Our Love to overwhelming critical acclaim. Caribou returns now with his new studio album Suddenly, a warm, untamable, and constantly surprising record about family and the changes we go through as those relationships evolve. Most prominently, Suddenly refers to the moments of dramatic and unexpected change that occur at points in any life and within any family-universal themes that can catch you off guard and change your life in a heartbeat. Those dramatic moments are part of a slower process. These moments rear their heads, for good or bad, during the everyday flow of life. "There's a tension between those sudden things which blindside you and the more glacial, gradual day-to-day changes," he observes. "We are so caught up in the immediate-the details that require our attention every day-that we can be blind to the bigger forces shaping us. That's why so often when something drastic happens suddenly, it catalyzes all sorts of changes in our lives. Our perspective shifts." Suddenly is in the music, too. This is the most surprising and unpredictable Caribou album to date. Though it retains the trademark Caribou warmth and technicolor, this album is littered with swerves and left turns. "I wanted to balance the familiar-the sound that people associate with my music-against these moments of surprise," Snaith says. As his passion and joy in music-making remains as fresh as ever, Suddenly is the purest example of this yet.

Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.

Brightons Go! Team return with new single Semicircle Song out on 1 December on long term label home Memphis Industries. Semicircle Song is taken from The Go! Teams new album SEMICIRCLE due 19 January. These are dark and difficult times. We dont need some chancer with an acoustic guitar and a series of concerned hashtags to tell us that. What we need is a band to believe in, who stand for something other than naked careerism, who give us a rock to cling to on stormy days. A band who still have faith in the power of pop music to transform the world, who dream in technicolour, who see beauty in the little things, who shun tepid perfection, who rejoice in the mistakes and the chance encounters that lead us somewhere new. Who remind us what it was like to be young and naive and idealistic and in love. Who throw everything into the pot to create music that is joyfully, effervescently alive. Now more than ever, we need The Go! Team. Its no secret that The Go! Team is the brainchild of one man, Brighton-based melody obsessive Ian Parton. But its membership has never been exclusive: at one time or another, The Go! Team has included on its squad-sheet everyone from Deerhoof to Chuck D to a legion of undiscovered Soundcloud singers. Unlike the groups previous album, 2015s The Scene Between which was essentially a solo project, following the dissolution of the previous Go! Team line-up Ian began work on their fifth album SEMICIRCLE with the vital input of current live band players Simone Odaranile (drums), , Angela Maki Won-Yin Mak (vocals and guitar) and original Team members Sam Dook (guitar) and Ninja (irrepressible rapping).

Vinyl LP pressing. Everything Was Beautiful, and Nothing Hurt is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds Moby returning to his orchestral, soul, trip-hop and gospel roots. Featuring LA-based soulstress Raquel Rodriguez, lead single "Like a Motherless Child" is a re-work of the well-known spiritual with origins in the slavery of the American South. The track describes the void left when one feels separated from a parent, higher power or similar guiding force. Over the years this powerful song has been reinterpreted by the likes of Odetta, Lena Horne, Mahalia Jackson and Van Morrison. Moby also curated a playlist of artists that influenced the recording of his fifteenth studio album which includes Baby Huey, Marianne Faithfull, Grace Jones, Soul Makossa, Mulatu Astatke, Liquid Liquid, Fresh Four, Sly And Robbie, Simple Minds, James Brown, Talking Heads and Gil Scott-Heron.